Showing posts with label NEA. Show all posts
Showing posts with label NEA. Show all posts

Monday, May 18, 2009

The Deal

The New York Times reports that president Barack Obama has nominated Rocco Landesman, the Broadway producer of shows like “Big River,” and “Angels in America,"  as the next chairman  of the National Endowment for the Arts.


“It’s potentially the best news the arts community in the United States has had since the birth of Walt Whitman,” said playwright Tony Kushner. 


When he produced Mel Brook’s show “The Producers," Rocco Landesman introduced the theater-loving public to the $480 “premium” ticket.

 

Also:  The Beatles - A Day in the Life




Tuesday, May 12, 2009

On the Books

The New York Times reports that New York City plans to fill more minimum-wage summer jobs for applicants up to 24 years old.

Also: The Big Read is still on, so I am still reading Edith WhartonThe House of Mirth

The House of Mirth 

by Edith Wharton

Book One

Chapter 1 continued from yesterday...

She came forward smiling, eager almost, in her resolve to intercept him. One or two persons, in brushing past them, lingered to look; for Miss Bart was a figure to arrest even the suburban traveller rushing to his last train.

Selden had never seen her more radiant. Her vivid head, relieved against the dull tints of the crowd, made her more conspicuous than in a ball-room, and under her dark hat and veil she regained the girlish smoothness, the purity of tint, that she was beginning to lose after eleven years of late hours and indefatigable dancing. Was it really eleven years, Selden found himself wondering, and had she indeed reached the nine-and-twentieth birthday with which her rivals credited her?

"What luck!" she repeated. "How nice of you to come to my rescue!"

He responded joyfully that to do so was his mission in life, and asked what form the rescue was to take.

"Oh, almost any—even to sitting on a bench and talking to me. One sits out a cotillion—why not sit out a train? It isn't a bit hotter here than in Mrs. Van Osburgh's conservatory—and some of the women are not a bit uglier." She broke off, laughing, to explain that she had come up to town from Tuxedo, on her way to the Gus Trenors' at Bellomont, and had missed the three-fifteen train to Rhinebeck. "And there isn't another till half-past five." She consulted the little jewelled watch among her laces. "Just two hours to wait. And I don't know what to do with myself. My maid came up this morning to do some shopping for me, and was to go on to Bellomont at one o'clock, and my aunt's house is closed, and I don't know a soul in town." She glanced plaintively about the station. "It IS hotter than Mrs. Van Osburgh's, after all. If you can spare the time, do take me somewhere for a breath of air."

He declared himself entirely at her disposal: the adventure struck him as diverting. As a spectator, he had always enjoyed Lily Bart; and his course lay so far out of her orbit that it amused him to be drawn for a moment into the sudden intimacy which her proposal implied.

"Shall we go over to Sherry's for a cup of tea?"

She smiled assentingly, and then made a slight grimace.

"So many people come up to town on a Monday—one is sure to meet a lot of bores. I'm as old as the hills, of course, and it ought not to make any difference; but if I'M old enough, you're not," she objected gaily. "I'm dying for tea—but isn't there a quieter place?"

He answered her smile, which rested on him vividly. Her discretions interested him almost as much as her imprudences: he was so sure that both were part of the same carefully-elaborated plan. In judging Miss Bart, he had always made use of the "argument from design."

"The resources of New York are rather meagre," he said; "but I'll find a hansom first, and then we'll invent something." He led her through the throng of returning holiday-makers, past sallow-faced girls in preposterous hats, and flat-chested women struggling with paper bundles and palm-leaf fans. Was it possible that she belonged to the same race? The dinginess, the crudity of this average section of womanhood made him feel how highly specialized she was.

A rapid shower had cooled the air, and clouds still hung refreshingly over the moist street.

"How delicious! Let us walk a little," she said as they emerged from the station.

Monday, May 11, 2009

The Big Read

Are you aware that the NEA sponsors the Big Read; a program to inspire people across the country to pick up a good book and read it?

 

Many events; everywhere.

 

Also: Edith Wharton – The House of Mirth


The House of Mirth 

by Edith Wharton

Book One

Chapter 1

Selden paused in surprise. In the afternoon rush of the Grand Central Station his eyes had been refreshed by the sight of Miss Lily Bart.

It was a Monday in early September, and he was returning to his work from a hurried dip into the country; but what was Miss Bart doing in town at that season? If she had appeared to be catching a train, he might have inferred that he had come on her in the act of transition between one and another of the country-houses which disputed her presence after the close of the Newport season; but her desultory air perplexed him. She stood apart from the crowd, letting it drift by her to the platform or the street, and wearing an air of irresolution which might, as he surmised, be the mask of a very definite purpose. It struck him at once that she was waiting for some one, but he hardly knew why the idea arrested him. There was nothing new about Lily Bart, yet he could never see her without a faint movement of interest: it was characteristic of her that she always roused speculation, that her simplest acts seemed the result of far-reaching intentions.

An impulse of curiosity made him turn out of his direct line to the door, and stroll past her. He knew that if she did not wish to be seen she would contrive to elude him; and it amused him to think of putting her skill to the test.

"Mr. Selden—what good luck!"

She came forward smiling, eager almost, in her resolve to intercept him. One or two persons, in brushing past them, lingered to look; for Miss Bart was a figure to arrest even the suburban traveller rushing to his last train.

Selden had never seen her more radiant. Her vivid head, relieved against the dull tints of the crowd, made her more conspicuous than in a ball-room, and under her dark hat and veil she regained the girlish smoothness, the purity of tint, that she was beginning to lose after eleven years of late hours and indefatigable dancing. Was it really eleven years, Selden found himself wondering, and had she indeed reached the nine-and-twentieth birthday with which her rivals credited her?

"What luck!" she repeated. "How nice of you to come to my rescue!"

He responded joyfully that to do so was his mission in life, and asked what form the rescue was to take.

Friday, April 17, 2009

Pay Day

Remember when we were all into "we demand an economic stimulus package for the arts!"?

How's that going, I wonder?

The New York Times reports that the civil servants at the National Endowment for the Arts are evaluating more than 2000 applications submitted by cultural organizations seeking a portion of the $50 million in stimulus funds allotted to the arts by President Barack Obama.

The NEA has already passed out 40% of the money through grants awarded to State Arts Agencies and Regional Arts Organizations like The New York State Council on the Arts (NYSCA.)

Meanwhile, over at Reason Online, contributor Greg Beato says American artists "sold themselves out at the ridiculously low price of $50 million" furthermore, he asks, "Wouldn’t it have been more provocative, inspiring, and educational if they’d simply said, “No, thanks”? "

At the Nation, Jeff Chang notes that "Artists played a largely unheralded role in Obama's victory" and then poses the obvious question: "So why haven't community organizers and artists been offered a greater role in the national recovery?"

Which reminds me, remember how we were all like "Please, Mr. President, appoint an "arts czar!"?

Apparently, he did...twice.

Thursday, March 5, 2009

Fight to Win

Over at the LA Times, Culture Monster blogger Lisa Fung ask "What would you do if you ran the NEA?

The site displays a photo grid of celebrities. Just click on a picture and behold a pale horse read their mostly innocuous responses.

More substantive commentary about all of these issues can be found on Create Equity, a blog by Ian David Moss, a student at the Yale School of Management.

I was over there reading a recent post where Mr. Moss argues that complaining about the relatively small amount of funds allocated for the arts in the economic recovery act may be be self-defeating and negative. He says "the notion that this somehow doesn't represent a victory for the arts community is one that I just don’t get."

He links to a lot of related articles and it's a terrific piece all around.

By terrific, I mean interesting and thoughtful, because I totally disagree with him.

Monday, February 2, 2009

Bite the Hand

Americans for the Arts announces that the National Endowment for the Arts (NEA) is set to get $50 million through the Economic Recovery Bill and NEA Chairperson Dana Gioia wants you not to worry, he's got your back.

In a statement released on January 22nd, 2009 we are assured that arts organizations are going to get what's coming to them:

"Arts organizations have been hit enormously hard by the current recession. They've seen their support drop from corporations, foundations, and municipalities. This infusion of funds will help sustain them, their staffs, and the artists they employ."

Further down in the NEA press release we get this:

"A review of NEA grants for FY 2008 revealed that for every $10,000 of grant money, 162 artists benefited. This number does not include the arts administrators involved in these projects..."

Wait.

I am not a mathematician, but I do own a calculator and it tells me that $10,000 divided by 162 artists = $61.72 per artist.

So for every $10,000 in grant money 162 artists benefit to the tune of $62 each.

Fine. It is the depression and I will take your $62, but I have two more questions:

1. How much are the arts administrators getting?*

2. Whose hand do I bite?

*According to the U.S. Bureau of Labor Statistics, arts administrators in performing arts companies earned an average yearly salary of $89,370 in 2007. Those working for museums and similar institutions averaged $87,520.