By Edith Wharton
Selden had turned to reach for a cigarette-box on the mantelpiece.
"What's become of Dillworth?" he asked.
"Oh, his mother was frightened—she was afraid I should have all the family jewels reset. And she wanted me to promise that I wouldn't do over the drawing-room."
"The very thing you are marrying for!"
"Exactly. So she packed him off to India."
"Hard luck—but you can do better than Dillworth."
He offered the box, and she took out three or four cigarettes, putting one between her lips and slipping the others into a little gold case attached to her long pearl chain.
"Have I time? Just a whiff, then." She leaned forward, holding the tip of her cigarette to his. As she did so, he noted, with a purely impersonal enjoyment, how evenly the black lashes were set in her smooth white lids, and how the purplish shade beneath them melted into the pure pallour of the cheek.
She began to saunter about the room, examining the bookshelves between the puffs of her cigarette-smoke. Some of the volumes had the ripe tints of good tooling and old morocco, and her eyes lingered on them caressingly, not with the appreciation of the expert, but with the pleasure in agreeable tones and textures that was one of her inmost susceptibilities. Suddenly her expression changed from desultory enjoyment to active conjecture, and she turned to Selden with a question.
"You collect, don't you—you know about first editions and things?"
"As much as a man may who has no money to spend. Now and then I pick up something in the rubbish heap; and I go and look on at the big sales."
She had again addressed herself to the shelves, but her eyes now swept them inattentively, and he saw that she was preoccupied with a new idea.
"And Americana—do you collect Americana?"
Selden stared and laughed.
"No, that's rather out of my line. I'm not really a collector, you see; I simply like to have good editions of the books I am fond of."
She made a slight grimace. "And Americana are horribly dull, I suppose?"
"I should fancy so—except to the historian. But your real collector values a thing for its rarity. I don't suppose the buyers of Americana sit up reading them all night—old Jefferson Gryce certainly didn't."
She was listening with keen attention. "And yet they fetch fabulous prices, don't they? It seems so odd to want to pay a lot for an ugly badly-printed book that one is never going to read! And I suppose most of the owners of Americana are not historians either?"
"No; very few of the historians can afford to buy them. They have to use those in the public libraries or in private collections. It seems to be the mere rarity that attracts the average collector."
He had seated himself on an arm of the chair near which she was standing, and she continued to question him, asking which were the rarest volumes, whether the Jefferson Gryce collection was really considered the finest in the world, and what was the largest price ever fetched by a single volume.
It was so pleasant to sit there looking up at her, as she lifted now one book and then another from the shelves, fluttering the pages between her fingers, while her drooping profile was outlined against the warm background of old bindings, that he talked on without pausing to wonder at her sudden interest in so unsuggestive a subject. But he could never be long with her without trying to find a reason for what she was doing, and as she replaced his first edition of La Bruyere and turned away from the bookcases, he began to ask himself what she had been driving at. Her next question was not of a nature to enlighten him. She paused before him with a smile which seemed at once designed to admit him to her familiarity, and to remind him of the restrictions it imposed.
"Don't you ever mind," she asked suddenly, "not being rich enough to buy all the books you want?"
Monday, June 1, 2009
The Art History Archive has a mission